BAE221 Creative Ceramics SUSS Assignment Sample Singapore

In this module, you will learn about the wide range of techniques for making art with clay. You’ll get a feel for three-dimensional forms and how they can be used in your own work by doing projects that involve hand building or decorative cutting edge ideas!

The input was: “This time next year I want my portfolio full o’ beautifully crafted pieces.” In order to produce these beautiful objects we need some inspiration – which is where our amazing artists come into play.

You need to know how to use clay for forming, joining, and decorating objects. It is helpful if you have experience with wheel-throwing pottery techniques, but not necessary. If you are new to ceramics or want a refresher on the basics of working with clay, take a look at the Introduction to Ceramics module. This course is an exploration of sculptural techniques and we will be using a variety of clay bodies and firing methods, so you should have some experience with different clays and kilns.

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Assignment Brief 1: Discuss form, texture and function within ceramic literature.

Ceramic literature is vast and ever-growing, as artists continue to experiment with the medium and push its boundaries. In general, however, ceramics can be described as having a fragile form and a brittle texture. This is due to the material’s low melting point; clay melts at around 1,600 degrees Fahrenheit, which makes it easy to mold but also means that it doesn’t take much heat to cause it to break or shatter.

This fragility also contributes to ceramic’s function as a material: because it breaks easily, it needs to be handled with care, which often leads to pieces being made in limited editions. And since it’s so difficult to repair once it’s broken, ceramic objects often have a sense of history to them, implying that they were once whole and have since been broken.

Previous attempts to conquer this fragility include suspending sculptures in mid-air or encasing pieces in glass at the Guggenheim Museum, both of which worked for a while but eventually broke. More recently, artist Tom Price wrapped famous British ceramicist William Staite’s Whitefriars vase in a full roll of transparent sticky tape, rendering it unbreakable.

Price explained that Staite’s work had inspired his own, and that this “reversal of intention” is intended to be ironic, prompting viewers to question the fragility of art history by calling attention to future breaks or repairs.

Assignment Brief 2: Examine the processes required in the traditional and contemporary manufacture of stoneware.

In the traditional manufacture of stoneware, a clay body is first prepared from a mixture of raw materials. The most important component of this mixture is the clay, which is tempered with water to form a plastic mass that can be easily worked. Other materials that may be included are sand, grog (pieces of fired pottery or glass), and feldspar.

The plastic mass is then placed on a potter’s wheel and turned while being shaped into the desired form. Various tools are used to smooth the surface and give it its final appearance. The object is then dried slowly in an oven at a low temperature, to prevent cracking. It is finally fired in a kiln at a very high temperature, which hardens the body and makes it watertight.

Porcelain is a white or translucent ceramic material, which can be fired at a very high temperature so that its components fuse together. It differs from stoneware in being lower in iron oxide, with a higher proportion of kaolin (a clay rich in aluminum silicates) and other fluxing agents.

The first step in its manufacture is to prepare a potter’s clay by mixing quartz (silicon oxide), feldspar (potassium aluminum silicate), and small quantities of two other materials—magnetite or hematite; and limestone or calcite, which are rich in calcium carbonate. The mixture is then reduced in a special machine called a ball mill to reduce the particle size and increase its uniformity. Other materials, such as finely ground bones or ivory, may be added.

The mixture of raw materials is next formed into small cylindrical pellets and fired at a temperature of approximately 950 degrees Celsius (1,750 degrees Fahrenheit) in a special oven called a kiln or anagama to produce glassy blocks of kaolin containing about 60 percent water.

Assignment Brief 3: Apply foundational principles and approaches in the manufacture of ceramic works (e.g. hand building techniques, glazing, wheel work etc).

Ceramic art can be created by hand building techniques, wheel work, or a combination of both. Hand building techniques include pinch pots, coil pots, slab construction, and sculpting.

Glazing is the process of applying a vitreous coating to a ceramic piece. The most common type of glaze is lead-based glaze. Lead-based glazes are toxic and should not be used in food service ware or pottery that will come into contact with food. There are non-toxic alternatives available that are equally durable and beautiful.

Wheel work is the process of shaping a pot on a rotating wheel. This technique can create bowls, vases, and other forms that are difficult or impossible to create by hand.

Wheel work can be used to create clay sculptures. These works are usually modeled in clay-dough, but some techniques use casting slip or wax.

There are three main types of ceramics: earthenware, stoneware, and porcelain. Earthenware is a porous material that must be glazed to be waterproof. Stoneware is more dense, but also porous; it cannot hold up to freezing temperatures without cracking or chipping (hence the use of crocks for fermenting and pickling foods).

Porcelain is made using kaolin clay, feldspar, and quartz; porcelain is non-porous and is the most sought-after for cookware and dinnerware.

Assignment Brief 4: Prepare the different steps for creating ceramics

There are many different methods that can be used to create ceramics, but all of them involve the same basic steps: forming, drying, and firing.

Forming is the process of shaping the clay into the desired form. This can be done by hand, or with the help of a mold. The clay is then dried in an oven or kiln, which kills any bacteria or insects that may be present, and also begins to harden the clay. The dried pieces are then fired in a kiln, which heats them up to very high temperatures and causes them to fuse together. The temperature and duration of the firing will determine the final color and texture of the ceramic piece.

Firing ceramics in a kiln is like making bread – both rely on the proper balance of heat and time. The firing process will transform the raw ceramic materials into beautiful, durable works of art.

• Create a ceramic body by mixing clay and water.
• Model the desired shape of the ceramic object.
• Cut off excess clay with a wire cutter or knife to create a desired shape.
• Smooth out the surface of the ceramic object with a sponge or your fingers.
• Let the ceramic object dry completely (this could take several days). 
• Bake the dried ceramic object in a kiln at high temperature to make it hard and durable (this could take several hours).  
• Glaze the baked ceramic object with a paintbrush (optional) and let it dry completely. 
• Enjoy your new ceramic masterpiece!

Assignment Brief 5: Experiment with techniques to create the ceramic that expresses ideas and intent.

One possible technique is to use a resist to create the design that you want on the piece of clay. A resist can be anything from a wax or latex sheet to a pattern made out of string or fabric. By applying the resist in specific areas, you can control where the color will be applied.

Another option is to add texture to the clay before you start firing it. You can use different tools like combs, spikes, or brushes to create patterns and textures on the surface of the clay. The texture will stay even after it’s fired, so this is a great way to add interest and depth to your pieces.

Another way to make a design is to use underglazes. Underglazes are non-fired pigments that you paint onto raw bisque (unglazed) clay. They will fade or burn off as the piece is fired, and new colors will be revealed as the flames touch them.

A less common technique is “sgraffito.” Sgraffito is a technique that was developed in the Renaissance era where designs are cut through several layers of glaze and color to reveal brightly colored bisque below. This is done by scratching away areas you don’t want over a layer of white underglaze, applying clear glaze, then painting on additional colors before finally scratching lines and shapes through the paint to let the white show through.

You can also combine techniques for a unique look: like using texture and sgraffito together, or adding resist designs over underglazes. The possibilities are endless! Just experiment and see what you notice as you go; that’s one of the best ways to learn.

Assignment Brief 6: Create a ceramic piece utilizing a variety of techniques and approaches

Ceramic art is a great way to express yourself and to showcase your creativity. It can be done using a variety of techniques, including wheel throwing, slab building, and pinch pots. You can also experiment with different glazes and finishes to create unique pieces that are truly one-of-a-kind.

The possibilities are endless when it comes to ceramic art, so don’t be afraid to try something new. Have fun with it and see what you can come up with!

• Flowers and Foliage

Inexpensive materials like clay, soil, sand and plants can be used to decorate pots and planters. Simply add some pebbles or moss to the base of a pot then plant your favorite flowers in the soil. It’s that easy! You don’t have to limit yourself to flowers though. Try making faces or other shapes out of clay and glaze them a bright color. Use your imagination to create fun plant pot decorations that will add a touch of whimsy to any room in your home!

• Miniature Scenes

Miniature scenes are adorable and fun for kids and adults alike! To make your own you will need a few different types of clay, molds, and tools. Add a touch of creativity to your world by adding a tabletop scene with tiny people going about their everyday activities. Just think of the conversations you’ll have when your friends come over!

• Plaques

Plaques can be used as decoration for the home or as awards for someone special. Just pick out the words you want to say, choose a font, and start glazing! You can make any type of plaque you like; try making one that is funny or motivational for your kids.

• Figurines

Figurines are tiny clay works of art that can be displayed on their own or grouped together. You can make them out of any material you like, but be sure to paint on details like hair, eyes and clothes before firing them in the kiln (or let them dry completely before firing).

• Animal Sculptures

Animal sculptures are great for kids because they’re small and easy to make! Try making birds or cats using clay, wire, and glue. Finish your sculpture by firing it in the kiln or painting on details like eyes and other facial features.

• Bowls

Bowls make excellent vessels for storing pens, pencils, makeup brushes or cotton swabs. They are also great for rings! Just roll out a flat circle of clay and use a bowl-shaped mold to cut out the bottom. Use a paintbrush or your fingers to add texture around the base of your design then let it dry completely before firing or glazing.

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