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Updated on: 14th Mar 2023

MLL301 Malay Phonetics and Phonology SUSS Assignment Sample Singapore

MLL301 Malay Phonetics and Phonology is a unique course offering stimulating insight into the Malay language from the perspective of linguistics. You will explore the various dimensions of sounds in the Malay language, and learn to apply them in a meaningful way. In addition, you’ll gain pronunciation practice through conversational drills and transcription analysis to help you hone your understanding of Malay phonemics. This comprehensive course offers an excellent opportunity to discover a key part of the Malay language structure as well as expand your experience with languages broadly.

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In this segment, we will explore some of the tasks that accompany assignments. These include:

Assignment Task 1: Illustrate the production of Malay sounds.

The unique melodic qualities of Malay sounds are produced through various vocal modulations and body movements. Vocal modulations based on pitch and intensity play a major role in producing many of the consonants, vowels, and intonations found in Malay language. Certain articulations require additional physical motions such as raising eyebrows, facial muscle tension, rapid blinking, lip closure, tongue movement, jaw-jutting, and nasal twang. Body movements associated with rhythms provide the setting for the sounds to take form.

As the words are uttered in varying tones of low or high pitches or a combination somewhere between these two extremes depending on their semantical roles and combinations within dialogues or even narrative contexts in speech bringing forth powerful emotions interwoven within words themselves.

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Assignment Task 2: Distinguish between voiced and voiceless sounds.

Voice and voiceless sounds refer to the way the human vocal folds vibrate when producing a sound. The difference between the two lies in whether or not those folds are engaged. If they are vibrating, then this is known as a voiced sound; if they are not vibrating, then it is known as a voiceless sound. A clear example of this would be the “t” and “d” sounds. When pronouncing “t”, no vibration occurs in the vocal folds, thus making it a voiceless sound; similarly, when pronouncing “d,” one will be able to feel their vocal folds vibrate, designating it as a voiced sound. By being able to distinguish between voiced and voiceless sounds, linguists and speech therapists alike will have more accurate tools with which to study the language more precisely.

Assignment Task 3: Draw the vocal organs. 

Drawing the vocal organs is an important task in learning to understand how sound is created and manipulated. It can teach aspiring singers, actors, broadcasters, and public speakers alike how their voices are generated. Visualizing this process with drawings can dramatically improve performance and allow for a superior understanding of the subtleties of sound creation. Additionally, many courses in voice instruct students to complete drawings of the vocal organs in order to ensure they have a complete understanding of the subject matter. This exercise allows learners to better comprehend the possibilities available to them when using their voices.

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Assignment Task 4: Illustrate the autosegmental/phonological theory.

The autosegmental/phonological theory, introduced in the 1970s by John Goldsmith, argues that phonology exists as an abstract representation of sounds that can be structured in various ways while maintaining separate units. In other words, this allows language to consist of discrete elements along with a set of operations that are applicable to these elements. The theory suggests that instead of syllables or segments acting as a structural unit for language, it is instead arranged over several parallel tiers containing multiple elements.

For example, single segmental features such as voicing or manner can sit across two vowels making up the two tiers. This assumed adjustable ordering for phonemes allows for the flexibility required by many languages. While this theory may overlap with past ideas concerning the structure of sound and word formation its ability to simplify explanations have made it a favoured approach among linguists especially in analysis and maintenance of spoken language.

Assignment Task 5: Distinguish Phonotactic Rules in Malay.

Phonotactics is an important branch of linguistics that involves the study of how certain sound combinations are used in different languages. In Malay, phonotactic rules refer to the constraints put in place for which sounds, letter combinations and syllables can be used and how those sounds, letter combinations and syllables interact with each other. For example, Malay words must end with a vowel and consonant clusters such as gj, bm or wy are not allowed. Voiced stops are quite common such as pdari (from) but aspirated stops like pthari (in) are also allowed.

Furthermore, s and h may be used as single letters to begin a word, though this is uncommon compared to the use of consonants like k and t. Taken together, these phonotactic rules can help distinguish where Malay differs from other languages when it comes to pronunciation.

Assignment Task 6: Illustrate place of articulation of vowels and consonants of Malay.

The articulation of vowels and consonants in Malay utilizes an anterior open position of tongue during the production of most vowels and consonants. The placement of the tongue when pronouncing Malay vowels is usually in a slightly higher position than it might be in other languages; many are articulated with both mouth and lips unfurled, while some may include some degree of lip protrusion.

As for Malay consonants, they too involve a more streamlined vocal tract than other languages so that their phoneme elements are not as hard-edged. As such, fricatives and affricates don’t play as significant a role here – instead, sounds like /m/, /n/, /y/ (as in ‘yes’) and glides play prominent roles in speech. It’s important to note though that lexical tones also come into play during pronunciation – as there is a shift between two or several syllables where the tone alters significantly. All told, the articulation of Malay vowels and consonants follows largely standard rules that can easily lend themselves to acquiring proficiency with this language.

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